The Rape of the Sabine Women (detail) by Giambologna, 1579-1583
The Rape of the Sabine Women (detail) by Giambologna, 1579-1583
Giorgio Vasari, View of the Studiolo, 1570-75
Caravaggio (1571-1610), The Fortune Teller (Second Ed. Detail)
Oil on canvas, 1595
(Source: professionnal)
CHINESE IMPORTS IN OTTOMAN ART
Lion and Qilin, Dragon and Bird
with floral backgroundMid-16th century / Ottoman period
Ink, color and gold on paper
TurkeyAnimals in ferocious combat are a recurring theme in sixteenth-century Ottoman art.
In this remarkable drawing, a lion devours a Qilin, an animal of Chinese legend, while a dragon is about to swallow a frightened bird perched helplessly on its tongue.
- Although the ch’i-lin and dragon were inspired by Chinese models, the depiction of these animals as fearsome,
- battling creatures is alien to Chinese art and is more characteristic of Ottoman and Persian pictorial language.
- The composition is noteworthy for its use of undulating lines, which lend tremendous energy and vitality.
(Smithsonian Museums of Asian Art)
________________________________Qilin (麒麟) refers to a chimerical creature known throughout East Asia, often depicted with what looks like fire all over its body. Europeans thought of it as the Chinese version of a unicorn.
Baths At Pozzuoli By Girolamo Macchietti, 1570-1572
Celestial clockwork globe. 1579, Vienna, Austria.
Source: Met Museum
(Source: travellinganachronism)
Virgin And Child With Four Angels By Gerard David, Circa 1510-1515