March 29, 2013

(Source: cengman)

March 27, 2013
gregorypecksbrow:

Flagellation of Our Lord Jesus Christ by William-Adolphe Bouguereau (1880)

gregorypecksbrow:

Flagellation of Our Lord Jesus Christ by William-Adolphe Bouguereau (1880)

(via geodecy-deactivated20140110)

March 21, 2013
The Lamentations Of Mary Magdalene On The Body Of Christ By Arnold Böcklin, 1868

The Lamentations Of Mary Magdalene On The Body Of Christ By Arnold Böcklin, 1868

March 19, 2013
Would The History Channel’s Series “The Bible” be as Popular If It Didn’t Feature a White Surfer Jesus Dude? | We Are Respectable Negroes
By Chauncey DeVega
March 17, 2013
The History Channel’s miniseries The Bible is one of the most popular TV shows in recent memory. “The greatest story ever told” would appear to have much life left in it.
During an age of economic uncertainty (and among Christian Dominionist Evangelicals even more so who believe that Barack Obama is the anti-Christ) a retreat to a popularized version of the underpinnings of Christian faith, tailor-made for cable TV, would prove itself to be imminently popular.
The Bible is not a “true” or an “accurate” depiction of events. Like other TV shows and films, the final product is the result of the many decisions made by producers, actors, directors, writers, and editors. Given the religious-mythological-historical elements in the Bible as a document, these acts of creative decision-making are further compounded.
The choice of what elements to include or exclude from the History Channel’s series is ultimately an artistic interpretation of a document, one that itself is an act of both the omission, as well as selected inclusion of facts and details, that in total is a saleable product designed to make money for a TV network. Despite what its writers would claim, and some of the “faithful” in the audience would like to believe, there is nothing divine about the History Channel’s The Bible.
Truth is held hostage to these realities. However, that does not mean that we should avoid asking some basic questions about the accuracy of The Bible miniseries.
For some, what follows is an uncomfortable truth.
The historical figure known as Jesus of Nazareth was not “white.” He was not European. Based on the scholarly consensus, the historical Jesus would be a Middle Eastern Jew of medium, if not dark, complexion. He was certainly dark enough to have spent time in the Middle East and elsewhere, and to not have had his skin tone commented upon or noted.
This Jesus would be hounded and harassed by the TSA, looked at as a de facto “suspicious” person in post 9/11 America, and be racially profiled by the national security state. The historical Jesus would likely be subject to stop and frisk policies by the New York police and others. If it were too late at night, and the historical Jesus was trying to get a cab—especially if he were not attired “professionally”—he would be left standing curbside because brown folks in their twenties and thirties who look like him are presumed to be criminals.
Despite the “common sense” depiction of Jesus in the (white) American popular imagination, the historical Jesus Christ is not a white surfer dude with blue eyes, long flowing hair, and suntan toned skin.
When I was an undergraduate and forced to take a series of Religious Studies classes as part of a core requirement. There, I was exposed first hand to how volatile such a basic observation can be to some Christians and others who identify with that faith tradition. Our professor was discussing how the Bible is a historical text that has been edited and changed to reveal the prevailing political and social norms of a given time. I asked a question about the Civil Rights Movement and how black folks tried to use the text for purposes of political inspiration and motivation in the face of great adversity.
This transitioned to a follow-up question where I asked, “what color was Jesus?” Having just seen Malcolm X the movie, I was curious as to the professor’s response. He looked around and plainly said that Jesus Christ was not white or a European. He would likely be a medium complected Jew with brown or darker skin. Check and mate: thus my follow-up, “could one reasonably say that Jesus the historical figure was black?”
Our masterful professor looked around in a considerate and contemplative manner and said, “depending on who you ask, and in what context, one could say that he could be considered ‘black’ in a society like America where whites have been so color conscious and race obsessed.” You could here a pin hit the floor as gasps of anger and protest erupted from the white (and some black and brown) students in the class.
There was actually an effort made by some students to get this professor fired. He was saved by a few things. First, his research claims, historiography on the matter, and credentials were impeccable. He had tenure. And he was white. It is quite likely that a black faculty member making such a basic claim would have had far fewer protections.
In these discussion of faith, some would likely object that “race doesn’t matter.” Who cares what color the historical Jesus is/was?
Here, the color of Jesus Christ matters while simultaneously being of little import. Thus, a paradox. If the color of Jesus Christ is unimportant, why then the objection to the question and a resistance to changing the images to be more historically accurate? Moreover, such a basic question about the lie that is white Jesus, is often deflected and redirected into one which ends with the power of the white racial frame enabling those invested in its distortion(s) of reality arguing that anyone, especially a person of color, asking such things must be a black “racist” or anti-white.
If a Christian is a true believer why would they have difficulty reconciling their faith with such a superficial thing as changing the historical lie that is white Jesus into one that is more accurate, a man of color, whose message would be unchanged? Would it really be that hard for some white Christians (and others) to kneel before a black or brown Jesus Christ? Are the psychic wages of Whiteness so great as to distort a person’s image of God?
These matters of race, religion, and politics remain potent even in 21st century America. See how President Obama’s presidential campaign was almost destroyed by Reverend Wright and the white conservative bogeyman known as “black liberation theology.”
Leonardo da Vinci and Michelangelo’s White Jesus were iconic images that enabled European colonialism and imperialism. In these grand projects of global white power and conquest “Christian” became synonymous with free, “white,” and “civilized.” “Heathen” meant that whole populations could be subjected to extermination, enslavement, and exploitation.
The current and most popular image of Jesus as created by Warner Sallman in 1941 depicts the former as a white “American.” Here, American exceptionalism, Manifest Destiny, and rise as an Imperial power were ordained as being one with He, and a blessing from God for a country whose elites imagined it to be a “shining city on the hill.”
This logic is perfectly cogent: a racial project of exploitation and enslavement of non-whites by Europeans, one legitimated by a belief in the natural inferiority of people of color, the pseudo-science of The Great Chain of Being, a belief in The Curse of Ham as well as other myths, must, for reasons of practical necessity, be predicated on the existence of a “white” God.
A twisted complement to how the whiteness of Jesus has been historically naturalized in the West is how the same ahistorical image adorns many African-American churches (as well as those of Latinos, Asians, Native Americans, and others) in this country and throughout the world.
Is there any greater example of the twisted nature of the color line, and the power of internalized white supremacy, than how many millions of black and brown folks kneel and pray before the image of a white god—an image which has long been used to justify and legitimate white supremacy and racial exploitation—on the most segregated day of the week?
Black and white Christians pray to the same mythologized and historically inaccurate image of Jesus; yet, they do not pray or worship together in the same churches.
Research shows that white audiences will not watch TV shows or movies which they judge to have too many people of color as characters. A historically accurate version of the Bible, which embraced the demographic realities of the era such as HBO’s epic Rome series, would be a revelation. Unfortunately, many in the American public would be unwilling to hear such a basic truth, for it would be too upsetting for those who have internalized whiteness and white racial privilege even on matters of religion and faith.
Copyright © 2013 Chauncey DeVega.
[Photo from www.bibleseries.tv.]

Would The History Channel’s Series “The Bible” be as Popular If It Didn’t Feature a White Surfer Jesus Dude? | We Are Respectable Negroes

By Chauncey DeVega

March 17, 2013

The History Channel’s miniseries The Bible is one of the most popular TV shows in recent memory. “The greatest story ever told” would appear to have much life left in it.

During an age of economic uncertainty (and among Christian Dominionist Evangelicals even more so who believe that Barack Obama is the anti-Christ) a retreat to a popularized version of the underpinnings of Christian faith, tailor-made for cable TV, would prove itself to be imminently popular.

The Bible is not a “true” or an “accurate” depiction of events. Like other TV shows and films, the final product is the result of the many decisions made by producers, actors, directors, writers, and editors. Given the religious-mythological-historical elements in the Bible as a document, these acts of creative decision-making are further compounded.

The choice of what elements to include or exclude from the History Channel’s series is ultimately an artistic interpretation of a document, one that itself is an act of both the omission, as well as selected inclusion of facts and details, that in total is a saleable product designed to make money for a TV network. Despite what its writers would claim, and some of the “faithful” in the audience would like to believe, there is nothing divine about the History Channel’s The Bible.

Truth is held hostage to these realities. However, that does not mean that we should avoid asking some basic questions about the accuracy of The Bible miniseries.

For some, what follows is an uncomfortable truth.

The historical figure known as Jesus of Nazareth was not “white.” He was not European. Based on the scholarly consensus, the historical Jesus would be a Middle Eastern Jew of medium, if not dark, complexion. He was certainly dark enough to have spent time in the Middle East and elsewhere, and to not have had his skin tone commented upon or noted.

This Jesus would be hounded and harassed by the TSA, looked at as a de facto “suspicious” person in post 9/11 America, and be racially profiled by the national security state. The historical Jesus would likely be subject to stop and frisk policies by the New York police and others. If it were too late at night, and the historical Jesus was trying to get a cab—especially if he were not attired “professionally”—he would be left standing curbside because brown folks in their twenties and thirties who look like him are presumed to be criminals.

Despite the “common sense” depiction of Jesus in the (white) American popular imagination, the historical Jesus Christ is not a white surfer dude with blue eyes, long flowing hair, and suntan toned skin.

When I was an undergraduate and forced to take a series of Religious Studies classes as part of a core requirement. There, I was exposed first hand to how volatile such a basic observation can be to some Christians and others who identify with that faith tradition. Our professor was discussing how the Bible is a historical text that has been edited and changed to reveal the prevailing political and social norms of a given time. I asked a question about the Civil Rights Movement and how black folks tried to use the text for purposes of political inspiration and motivation in the face of great adversity.

This transitioned to a follow-up question where I asked, “what color was Jesus?” Having just seen Malcolm X the movie, I was curious as to the professor’s response. He looked around and plainly said that Jesus Christ was not white or a European. He would likely be a medium complected Jew with brown or darker skin. Check and mate: thus my follow-up, “could one reasonably say that Jesus the historical figure was black?”

Our masterful professor looked around in a considerate and contemplative manner and said, “depending on who you ask, and in what context, one could say that he could be considered ‘black’ in a society like America where whites have been so color conscious and race obsessed.” You could here a pin hit the floor as gasps of anger and protest erupted from the white (and some black and brown) students in the class.

There was actually an effort made by some students to get this professor fired. He was saved by a few things. First, his research claims, historiography on the matter, and credentials were impeccable. He had tenure. And he was white. It is quite likely that a black faculty member making such a basic claim would have had far fewer protections.

In these discussion of faith, some would likely object that “race doesn’t matter.” Who cares what color the historical Jesus is/was?

Here, the color of Jesus Christ matters while simultaneously being of little import. Thus, a paradox. If the color of Jesus Christ is unimportant, why then the objection to the question and a resistance to changing the images to be more historically accurate? Moreover, such a basic question about the lie that is white Jesus, is often deflected and redirected into one which ends with the power of the white racial frame enabling those invested in its distortion(s) of reality arguing that anyone, especially a person of color, asking such things must be a black “racist” or anti-white.

If a Christian is a true believer why would they have difficulty reconciling their faith with such a superficial thing as changing the historical lie that is white Jesus into one that is more accurate, a man of color, whose message would be unchanged? Would it really be that hard for some white Christians (and others) to kneel before a black or brown Jesus Christ? Are the psychic wages of Whiteness so great as to distort a person’s image of God?

These matters of race, religion, and politics remain potent even in 21st century America. See how President Obama’s presidential campaign was almost destroyed by Reverend Wright and the white conservative bogeyman known as “black liberation theology.”

Leonardo da Vinci and Michelangelo’s White Jesus were iconic images that enabled European colonialism and imperialism. In these grand projects of global white power and conquest “Christian” became synonymous with free, “white,” and “civilized.” “Heathen” meant that whole populations could be subjected to extermination, enslavement, and exploitation.

The current and most popular image of Jesus as created by Warner Sallman in 1941 depicts the former as a white “American.” Here, American exceptionalism, Manifest Destiny, and rise as an Imperial power were ordained as being one with He, and a blessing from God for a country whose elites imagined it to be a “shining city on the hill.”

This logic is perfectly cogent: a racial project of exploitation and enslavement of non-whites by Europeans, one legitimated by a belief in the natural inferiority of people of color, the pseudo-science of The Great Chain of Being, a belief in The Curse of Ham as well as other myths, must, for reasons of practical necessity, be predicated on the existence of a “white” God.

A twisted complement to how the whiteness of Jesus has been historically naturalized in the West is how the same ahistorical image adorns many African-American churches (as well as those of Latinos, Asians, Native Americans, and others) in this country and throughout the world.

Is there any greater example of the twisted nature of the color line, and the power of internalized white supremacy, than how many millions of black and brown folks kneel and pray before the image of a white god—an image which has long been used to justify and legitimate white supremacy and racial exploitation—on the most segregated day of the week?

Black and white Christians pray to the same mythologized and historically inaccurate image of Jesus; yet, they do not pray or worship together in the same churches.

Research shows that white audiences will not watch TV shows or movies which they judge to have too many people of color as characters. A historically accurate version of the Bible, which embraced the demographic realities of the era such as HBO’s epic Rome series, would be a revelation. Unfortunately, many in the American public would be unwilling to hear such a basic truth, for it would be too upsetting for those who have internalized whiteness and white racial privilege even on matters of religion and faith.

Copyright © 2013 Chauncey DeVega.

[Photo from www.bibleseries.tv.]

February 28, 2013

February 26, 2013
Virgin And Child With Four Angels By Gerard David, Circa 1510-1515

Virgin And Child With Four Angels By Gerard David, Circa 1510-1515

February 21, 2013
Madonna And Child (Madonna Litta) By Leonardo Da Vinci, Circa 1491-1495

Madonna And Child (Madonna Litta) By Leonardo Da Vinci, Circa 1491-1495

February 18, 2013
The Return Of The Prodigal Son By Pompeo Batoni, 1773

The Return Of The Prodigal Son By Pompeo Batoni, 1773

February 9, 2013

Like This by Rumi, read by Tilda Swinton

If anyone asks you
how the perfect satisfaction
of all our sexual wanting
will look, lift your face
and say,

Like this.

When someone mentions the gracefulness
of the nightsky, climb up on the roof
and dance and say,

Like this.

If anyone wants to know what “spirit” is,
or what “God’s fragrance” means,
lean your head toward him or her.
Keep your face there close.

Like this.

When someone quotes the old poetic image
about clouds gradually uncovering the moon,
slowly loosen knot by knot the strings
of your robe.

Like this.

If anyone wonders how Jesus raised the dead,
don’t try to explain the miracle.
Kiss me on the lips.

Like this. Like this.

When someone asks what it means
to “die for love,” point
here.

If someone asks how tall I am, frown
and measure with your fingers the space
between the creases on your forehead.

This tall.

The soul sometimes leaves the body, the returns.
When someone doesn’t believe that,
walk back into my house.

Like this.

When lovers moan,
they’re telling our story.

Like this.

I am a sky where spirits live.
Stare into this deepening blue,
while the breeze says a secret.

Like this.

When someone asks what there is to do,
light the candle in his hand.

Like this.

How did Joseph’s scent come to Jacob?

Huuuuu.

How did Jacob’s sight return?

Huuuu.

A little wind cleans the eyes.

Like this.

When Shams comes back from Tabriz,
he’ll put just his head around the edge
of the door to surprise us

Like this.

(Source: sleepswithfishes / GodIntoxicated, via mevlevi)

January 24, 2013
Body Bag By Mark Ynys-Mon, 2006

Body Bag By Mark Ynys-Mon, 2006